-
Leia por capítulosComentário sobre a Leitura Bíblica de Hoje
-
Thai from KJV -
-
1
|Jeremias 13:1|
พระเยโฮวาห์ตรัสแก่ข้าพเจ้าด้วยว่า "จงไปซื้อผ้าป่านคาดเอวมาผืนหนึ่ง คาดเอวของเจ้าไว้และอย่าจุ่มน้ำ"
-
2
|Jeremias 13:2|
ข้าพเจ้าจึงซื้อผ้าคาดเอวผืนหนึ่งตามพระวจนะของพระเยโฮวาห์ และคาดเอวของข้าพเจ้าไว้
-
3
|Jeremias 13:3|
และพระวจนะของพระเยโฮวาห์มาถึงข้าพเจ้าครั้งที่สองว่า
-
4
|Jeremias 13:4|
จงเอาผ้าคาดเอวซึ่งเจ้าได้ซื้อมา ซึ่งอยู่ที่เอวของเจ้า และจงลุกขึ้นไปยังแม่น้ำยูเฟรติส แล้วซ่อนผ้านั้นไว้ในซอกหินแห่งหนึ่ง
-
5
|Jeremias 13:5|
ข้าพเจ้าก็ไปและซ่อนผ้านั้นไว้ข้างแม่น้ำยูเฟรติส ดังที่พระเยโฮวาห์ทรงบัญชาข้าพเจ้า
-
6
|Jeremias 13:6|
ต่อมาอีกหลายวันพระเยโฮวาห์ตรัสกับข้าพเจ้าว่า "จงลุกขึ้นไปยังแม่น้ำยูเฟรติส และเอาผ้าคาดเอวซึ่งเราได้สั่งเจ้าให้ซ่อนไว้ที่นั่นนั้นมาเสียจากที่นั่น"
-
7
|Jeremias 13:7|
แล้วข้าพเจ้าก็ไปที่แม่น้ำยูเฟรติส และขุดเอาผ้าคาดเอวมาจากที่ซึ่งข้าพเจ้าได้ซ่อนไว้ ดูเถิด ผ้าคาดเอวนั้นเสียหมด จะใช้การสิ่งใดก็ไม่ได้
-
8
|Jeremias 13:8|
แล้วพระวจนะของพระเยโฮวาห์ก็มายังข้าพเจ้าว่า
-
9
|Jeremias 13:9|
พระเยโฮวาห์ตรัสดังนี้ว่า เราก็จะทำลายความทะนงใจของยูดาห์ และความทะนงใจใหญ่ยิ่งของเยรูซาเล็มเสียอย่างนั้นแหละ
-
10
|Jeremias 13:10|
คือชนชาติที่ชั่วร้ายนี้ ผู้ปฏิเสธไม่ฟังถ้อยคำของเรา ผู้ที่ดำเนินตามความดื้อกระด้างแห่งจิตใจของตนเอง และได้ติดสอยห้อยตามพระอื่น เพื่อจะปรนนิบัติและนมัสการพระเหล่านั้น จะเป็นเหมือนผ้าคาดเอวนี้ซึ่งจะใช้การสิ่งใดก็ไม่ได้
-
-
Sugestões

Clique para ler Lucas 18-20
25 de outubro LAB 664
RETRATOS REVELADOS POR JESUS
Lucas 15-17
Antigamente, a gente carregava um trambolhão pesado, com um baita de um holofote conectado em cima, um rolo de fita plástica pra colocar como carga por dentro, do que chamávamos de máquina fotográfica. Era a máquina fotográfica que tínhamos. E parecia que quanto maior, melhor. Você se lembra? Filmes de 12, 24 ou... no máximo, 36 cliques, e era tudo. Ou melhor, ainda não era tudo, porque nem era possível saber imediatamente o resultado.
Então vinha o processo da revelação. Precisava-se saber tirar o rolo para não estragar os quadro e levá-lo a uma casa de revelação. Depois, esperar por alguns dias e preparar um bom dinheiro. Com aquela grana, pagava-se pelas boas fotos, e por aquelas horríveis também: “se não sabe bater fotos, problema seu!”. Era, realmente, uma revelação, daquilo que a expectativa esperava sem piscar, para descobrir as bem tiradas, as bem posadas, as bem erradas e as bem perdidas. As melhores tinham que ser muito bem guardadas, reproduzidas, pois, como peças raras, tornavam-se históricas.
Hoje, com tudo ao contrário, aquilo tudo virou conto. O aparelhinho faz 1001 coisas e, também tira boas fotos. Pode ser um celular, um MP sei lá quanto, uma câmera digital, uma caneta eletrônica ou até mesmo um relógio de pulso. A impressão atual é que, quanto menor, mais tecnológico. Esses você conhece: milhares de pixels, bytes e possibilidades. Para conseguir dar conta disso tudo, haja criatividade e rapidez de pensamento.
Antes que o ato aconteça, o LCD já lhe “revela” como vai ficar. Desse jeito, qualquer um consegue um bom retrato, nem que seja com muita insistência. Afinal, a tecla “del” existe pra ajudar nisto mesmo. Não custa nada, tirar milhares escolher uma e apagar o resto. Com isto, conseguimos mais e mais imagens lindas, que podem refletir melhor as belezas da natureza, das artes, do universo que nos rodeia. Até a nossa própria imagem fica melhor valorizada, com tantos recursos de captação e tratamento daquilo que é retratado.
“Há muito tempo Deus falou muitas vezes e de várias maneiras aos nossos antepassados por meio dos profetas (Hebreus 1:1)...”. Ninguém nunca vira a Deus. Pela fé, num YHWH invisível, conhecido principal e - quase que – somente através da tradição oral (de boca em boca), eles se esforçavam para merecer, ao menos de longe, ter em si um pequeno reflexo que, um dia, talvez, revelar-se-ia.
“...mas nestes últimos dias falou-nos por meio do Filho (Hebreus 1:2)...”. Em Lucas, do capítulo 15 em diante, você encontra retratos, revelados por Jesus, do Deus no Novo Testamento: um Pai de amor, que, por Sua graça, lhe redime à Sua imagem.
Valdeci Júnior
Fátima Silva